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Picasso and Photography: The Dark Mirror, by Anne Baldassari
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The extent to which photography influenced the work of Pablo Picasso is now considered by scholars to be of great importance in the understanding of the artist's entire oeuvre. Linked to a major exhibition, this beautifully illustrated books present a unique view into Picasso's relationship with the photographic arts. The presence in his personal estate of several thousand photographic images, donated to the French government upon his death, prompted this study and bears powerful witness to the artist's versatility and imaginative depth. The collection featured here includes nineteenth-century portraits, postcards featuring colonial themes or ethnic groups in regional dress, as well as portraits, self-portraits and studio views taken by Picasso himself. Already at the turn of the century, they contributed to the artist's figurative expression as well as to his major cubist interpretations.
The artist commanded a wealth of themes, styles, and media over his long and productive career, and he explored drawing, painting, and sculpture. His voracious appetite for experimentation led him to push the medium to unorthodox extremes, both stylistically and technically. The range of Picasso's photographic production comprises a variety of forms and techniques and resulted in independent works of art: superimposed photographs, cliché-verres, photo-based engravings, photograms and original drawings on photographs, slides, collages, and photographic cutouts. His collaborations with other artists such as Dora Maar, Brassaï, Gjon Mili, and André Villers reveal a playful inventiveness, and demonstrate his ability to push photography in unexpected directions. The works featured in this study provide new insight into Picasso's creative world. An outstanding text by Anne Baldassari makes a major contribution to Picasso scholarship by examining what could be the last unknown area of the artist's work.
- Sales Rank: #2375204 in Books
- Brand: Brand: Flammarion
- Published on: 1997-10-27
- Released on: 1997-10-27
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 12.30" h x 1.00" w x 9.00" l,
- Binding: Hardcover
- 264 pages
- Used Book in Good Condition
Review
The visual detective work here is amazing. -- Buffalo News, December 21, 1997
Language Notes
Text: English (translation)
Original Language: French
About the Author
Anne Baldassari is curator of the photographic archives of the Musée Picasso, Paris, and the author of numerous works on Picasso and the photographic arts.
Most helpful customer reviews
0 of 0 people found the following review helpful.
About This Book...
By Theseus
An attractive and sturdily-bound trade paperback from Flammarion.
257 pp, 3 pounds. Color, mono-tone, and b&w illustrations throughout. 18 pp of bibliographic information: a bibliography supplemented by narrative and bibliographic end notes.
TABLE OF CONTENTS
Tools for the Eye
1900-1906 Monochrome as Paradigm
- Dark Mirror
- A "Modern Masterpiece"
- Photographic Incarnations
1906-1909 Grasping the Visible
- An African Source for Les Demoiselles d'Avignon
- The Bateau-Lavoir Lab
- A Summer in Horta
1910-1914 "Discovering" Photography
- Studio Portraits
- Photographic Staging and Compositions
1914-1923 Figurative Disorders
- The Artist and his Model
- Light and Line: Drawings "Based on a Photograph"
- Pictorial Variations
1925-1945 Metamorphoses
- Autoscopy
- "A Profound Sculpture Out of Nothing"
- "Faster Than Images..."
- Charnel Houses
1950-1960 Beyond Appearances
- "Space Drawings"
- Photographic Cutouts
- "Someone is Scrawling..."
- Graffiti
4 of 5 people found the following review helpful.
About This Book...
By Theseus
An attractive and sturdily-bound trade paperback from Flammarion.
257 pp, 3 pounds. Color, mono-tone, and b&w illustrations throughout. 18 pp of bibliographic information: a bibliography supplemented by narrative and bibliographic end notes.
TABLE OF CONTENTS
Tools for the Eye
1900-1906 Monochrome as Paradigm
- Dark Mirror
- A "Modern Masterpiece"
- Photographic Incarnations
1906-1909 Grasping the Visible
- An African Source for Les Demoiselles d'Avignon
- The Bateau-Lavoir Lab
- A Summer in Horta
1910-1914 "Discovering" Photography
- Studio Portraits
- Photographic Staging and Compositions
1914-1923 Figurative Disorders
- The Artist and his Model
- Light and Line: Drawings "Based on a Photograph"
- Pictorial Variations
1925-1945 Metamorphoses
- Autoscopy
- "A Profound Sculpture Out of Nothing"
- "Faster Than Images..."
- Charnel Houses
1950-1960 Beyond Appearances
- "Space Drawings"
- Photographic Cutouts
- "Someone is Scrawling..."
- Graffiti
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